If a more significant, influential, and lasting result of creative musical partnership exists than Miles Davis and Gil Evans on Porgy And Bess, Humanity hasn't seen it. The pair's collaboration on the landmark 1959 adaptation of George Gershwin's opera transcends genre, time, and place. This profound statement finds Evans and Davis advancing the jazz idiom, and never sounded better than this!

- Strictly Limited Edition to 4000 Units

- Numbered Edition

- 2LP 180gram 45rpm High Definition Vinyl pressed at RTI USA

- Half-Speed mastering on MFSL Gain 2 Ultra Analog System

- Mastered by Mobile Fidelity Sound Lab

- Mastered from the Original Analog Master Tapes

- Mastered by Krieg Wunderlich and Shawn Britton

- Special Static Free & Dust Free Inner Sleeves

- Deluxe Gatefold Cover

Miles Davis and Gil Evans' Porgy and Bess Is a Landmark of Arrangement, Performance, and Emotion: 1959 Adaptation of George Gershwin Opera Advances Jazz Idioms and Modal Playing. Mastered from the Original Master Tapes and Strictly Limited to 4,000 Numbered Copies: Mobile Fidelity 180g 45RPM 2LP Set Features Reference-Level Tonality, Depth, and Openness.

If a more significant, influential, and lasting result of a creative musical partnership exists than that of Miles Davis and Gil Evans' Porgy and Bess, society hasn't seen it. It's impossible to overstate the importance of the pair's collaboration on the landmark 1959 update of George Gershwin's opera. Transcending genre, time, and place, the profound statement finds Evans and Davis implementing modal approaches in a mainstream context and advancing jazz idioms that would become the foundation of the form's still-classic era. And that's saying nothing of the soulful playing – legendary performances by Davis' first great quintet that can now be heard in pristine detail courtesy of this definitive analog edition.

Mastered from the original tapes, pressed at RTI, and strictly limited to 4,000 numbered copies, Porgy and Bess attains previously unheard degrees of clarity, openness, immediacy, and depth on Mobile Fidelity's 180g 45RPM 2LP set. Here, the arrangements unfold amidst practically limitless soundstages and burst with multi-dimensional images. Separation between instruments allows you to locate individual band members and trace the decay of the notes. Davis' iconic solo passages take on borderline-surreal qualities of realism and shape. The magisterial scope of the Evans-conducted orchestra emerges with room-filling bloom, color, and dynamics.

While difficult to pinpoint its single-best strength, Mobile Fidelity's reissue gives reference-level credence to what may remain the album's most crucial aspect: tone. Based not on chords but on scales and feeling, Porgy and Bess teems with emotions and possibilities – characteristics conveyed by the nuances, timbre, and temper delivered by the array of horns, woodwinds, basses, and percussion involved. Whether the combination of Bill Barber's tuba in unison with Paul Chambers' bass during "Buzzard Song," Davis' improvisational flights on "It Ain't Necessarily So," or the doubling up on alto flutes on several compositions, never before have they been experienced with such richness, roundness, and palpability.

Just as identifying singular sonic highlights proves virtually unfeasible, so does underlining which songs feature the most memorable exchanges, melodies, and scoring. Davis and Evans' adaptation of Porgy and Bess remains of a piece, an American touchstone, a recording that immediately separated itself from the multiple other versions released during the same period and continues to make waves decades after its creation, assuming a place in the historical canon alongside collaborative masterworks by Duke Ellington/Billy Strayhorn and Frank Sinatra/Nelson Riddle.

Defined by Davis biographer Jack Chambers as "a new score, with its own integrity, order, and action," Porgy and Bess has been identified by nearly every major outlet and expert as a must-have album. Davis' phrasing alone cements the effort with a genius quality. As Brian Cook and Richard Morton explain in The Penguin Guide to Jazz: "‘Prayer' is an astounding tour de force, harmonically suspended, and with Miles' most extraordinarily recorded solo to date punctuated by agonized screams and shouts, whether of affirmation or suffering it isn't easy to judge. Miles was not in good physical condition during the making of the record, which perhaps explains the twisting intensity, the bent notes and slurs which seem to express some inner pain." Then there's the immortal rendition of "Summertime," the epitome of calm, understatement, and beauty.

At once sweet and spiritual, sure and steady, graceful and exuberant, happy and poignant, Porgy and Bess is a phenomenal jazz dance that has never been equaled – and likely, never will. Hear it as Davis, Evans, and company intended!

Track Listing:

01. The Buzzard Song
02. Bess, You Is My Woman Now
03. Gone
04. Gone, Gone, Gone
05. Summertime
06. Oh Bess, Where's My Bess?
07. Prayer ( Oh Doctor Jesus )
08. Fisherman, Strawberry and Devil Crab
09. My Man's Gone Now
10. It Ain't Necessarily So
11. Here Come de Honey Man
12. I Wants to Stay Here ( a.k.a. I Loves You, Porgy )
13. There's a Boat That's Leaving Soon for New York